Category: Interior Design

Across America during the first half of the 20th century, S.H. Kress & Co. opened department stores that were grand and ornate. Downtown Montgomery’s Kress building is no exception. Built in the late 1920s, it’s the focal point of a dynamic new complex that combines office, retail and residential space.

Design of the $20 million project began in 2014 by Seay Seay & Litchfield in Montgomery. The residential addition on the fourth and fifth floors was completed in September and units are now renting. November is the expected completion date of the commercial portion of the job from the basement through the third floor, says Seay Seay & Litchfield architect Davis Campbell.

The existing portion of the Kress building is about 45,000 square feet, including the residential addition, and the mezzanine level addition and two adjacent buildings make the project a total of 115,000 square feet.

“The two adjacent buildings were necessary to incorporate into the Kress project to meet current life-safety code for egress purposes,” Campbell explains. “This enabled us to locate the stairwells and elevators in the adjacent buildings so as not to disturb the existing decorative main space and existing structure of Kress with those elements. This also allowed the circulation paths inside Kress to become sort of an interior street with commercial space on both sides.”

A primary goal was to retain as many defining elements as possible. These include two neo-classical columns and interior Art Deco decorative plaster pilasters, which Campbell says contain beautiful detail that continues up to the plaster ceiling and beam treatment, which was also restored. The original terrazzo floor on the first level was also preserved.

Brass elevator doors with exceptional Art Deco detail were restored, along with salvaged wooden floors on the original stock room floor, which is now the third floor. The second floor mezzanine level features heart pinewood flooring milled from salvaged wood from the nearby historic Webber building.

Curved glass windows on both the Dexter and Monroe entrances are new, but replicate the original curved windows. A large new canopy installed at the Dexter Avenue entry replicates the original awning that was removed from the building over 50 years ago.

“Any time you work with an existing building there are unforeseen challenges that arise, but this project was particularly difficult due to its size, scope and various occupancy types the owner desired – retail, restaurants, office and residential,” notes Campbell.
Asbestos had to be removed and other harmful aspects such as moisture that come with a building that sat dormant for 30 years. Other problems that needed solving: bringing aspects of the building up to current building code, ensuring required egress for life-safety, adding a ramp for proper ADA access from Monroe Street, which is 5 feet lower than the main entrance off Dexter Avenue.

Structural challenges include adding two floors above the existing structure, creating large openings in west brick façade to enhance the building’s natural light, as well as connect to the City’s Pocket Park project, and finding skilled craftsmen capable of replicating existing plaster details.

Adds Campbell: “One thing that remained a challenge throughout construction was that there probably wasn’t a single straight wall in the original building. When the Kress building was erected in 1929, they built up to the other buildings that surrounded it, so the exterior walls on the east and west sides sort of bow in and out as you go from the south end of the building to the north end. This meant the alignment of structural columns also bowed in and out and created many improvisational moments of design.”

Image 1: Sleek additions such as curving windows are in harmony with the original design of the early 20th century building. The existing Kress building had not a single straight wall, which made the renovation particularly challenging. 

Image 2: Kress buildings were known for ornate detailing and embellishments both inside and out. The building’s bronze doors with Art Deco detailing were left intact.

Image 3: This rendering shows what the outside of the Kress Building will do when it is complete.

Article Written By Jessica Armstrong and Images Courtesy of Seay Seay Litchfield

In order to survive and offer comfort sustainably, an Alabama house must be designed and built to withstand severe storms and offer relief in the hot, sticky climate in ways that conserve energy.

That’s exactly the type of house that students at the University of Alabama at Birmingham have entered in the U.S. Department of Energy Solar Decathlon 2017 competition, held this year in Denver.

The creative drive behind Team Alabama’s surviv (AL), as the house is called, is the tornado super outbreak that devastated Birmingham and the surrounding area in 2011. The region’s vernacular architecture and cutting-edge sustainable technology combine to create a house that can survive a storm’s wrath while providing comfort in humid a climate.

Students wrapped the house in an energy-efficient envelope to manage heat and reduce energy needed to cool the indoor air. Also featured are a dehumidification system and a robotic cooler. The orientation and porches also guard against the heat.

A key feature is the composite and steel “strong room” constructed to withstand 250-mile winds. In addition, the design’s “quick permanence” enables the house to be rebuilt fast in the aftermath of a storm.

Other features that address both sustainability and storm protection include thick, double-stud, well-insulated walls, a solar collector to dehumidify indoor air and a heat-reflecting roof. And a wet wall in the middle of the house allows the shower to be used in either of the two bathrooms.

“Many students with different majors were involved in the design, but mostly civil engineering and mechanical engineering students,” explains team faculty advisor Hessam Taherian, an assistant professor in UAB’s School of Engineering. “For architectural design we relied on Williams and Blackstock Architects.”

During the construction phase, most work was done by UAB’s mechanical engineering students with help from UAB Facilities and UAB Sustainability. Students learned a lot by getting involved in the design, including structural calculations, mechanical equipment selection, PV system selection and installation, Taherian adds.

“It was a great practice in team work, and they also learned skills like carpentry, installing insulation, building decks and walls, so many other tasks. After the competition, the house will serve as a model house for energy efficiency in residential buildings and I will continue research on the topic.”

When the surviv (AL) house returns to campus, it will be rebuilt on UAB’s Sustainable Microgrid Demonstration Site.

 

Image 1: UAB is one of 12 collegiate teams chosen worldwide to participate in the 2017 U.S. Department of Energy Solar Decathlon held in Denver this year. The competition challenges student teams to design and build full-size, solar-powered houses. This rendering shows the house designed by the team as it will look at completion. 

Image 2: Named surviv (AL), the house is designed for extreme weather conditions and provides a comfortable environment in the South’s warm climate. Among the many technologies built into the house is a safe room with panels made to withstand 250-mph winds. An open ceiling and clerestory windows increase daylight. 

Image 3: The target market for UAB’s Solar Decathlon prototype house is any mid-size family or group of people, or a young professional couple earning a combined income of $75,000 a year. Additionally, the house can be adapted for low-cost housing for the elderly and homeless.

 

 

Article By Jessica Armstrong and Images Courtesy of UAB Solar Decathlon Team

 

The Gulf, a new restaurant/bar overlooking the Perdido Bay inlet at Orange Beach, has a decidedly kicked-back look. Incorporated into its design are four steel shipping containers – used to make the whole place easy to move“Shipping containers have been trendy in the design community for about 10 years,” says architect Courtney Brett of Casburn Brett Architecture in Daphne. “But portability was the key factor here. This site has a master plan for a larger public/private boardwalk and permanent restaurant that hinges on a future renovated seawall, so this might or might not stay. But people like the improvised look. We call it a food truck on steroids,” she adds.

Contrary to expectations, there was no cost advantage to using containers. “If you modified them in a shop, there might be. But working on site took extraordinary craftsmanship by the welders having to make straight cuts while blocking the wind,”Brett says. One container holds the kitchen, a second was cut open for an open-air vestibule, a third for a combined walk-in cooler and open bar and a fourth for enclosed seating on a second level.

Brett points out two key aspects of working with containers: One, they can be hot – especially at the beach – so air-flow and reflective exterior finishes are essential. Two, you can’t treat them like a block of wood – the structure at the corners andedges must be maintained for strength.